I had to rely on metaphor and suggestion, to get at a truth that is denied to us otherwise.
Rubberlands is a transmedia art project inspired by Henry Ford’s forgotten Brazilian Amazonian jungle city, Fordlândia.
Each portrait is a portrait of “imperfections.”
The silhouettes and ghostly traces she conjures with sumi and walnut inks are insistent and ephemeral.
All the drug dealers became lawyers. My friend Dave and I were photographers, we imagined, in the spirit of the counterculture and Robert Frank.
I aspired to make something that had some critical resonance but also satisfied something more mysterious and human.
The amazing luxury of being an artist is that you build a life determined by your interests.
I have been photographing in small, all but defunct towns in New York, Massachusetts and Pennsylvania.
Lyon was not the run-of-the-mill concerned photographer hoping for photographic notoriety; he was seeking revolution.