Books discussed: ‘The Women’s Mobile Museum,’ ‘Somewhere Along the Line,’ and ‘Dhaka.’
I’m tired of threading objects onto thin flexible wire. Metaphors bore me and I know I’ve changed the subject.
Originally trained as a painter, England seeks to reassert photography’s physicality.
Influenced by the pleasures and terrors of home life in the American Southwest, I make collaborative photographs with my mother.
American Interiors depicts the psychological repercussions of war and military service through images of the interiors of cars owned by veterans.
Charlton shifts our perspective to examine ideas around the private spaces of domesticity as it relates to the history of race, power, and gender.
“Under this mask, another mask; I will never finish removing all these faces.”
She’d always been there, occupying the same room.
The subject roams the parameters of her habitat, pushing against the surfaces.
When I look at my grandmother, I find myself frightened by our likeness.
I’m gonna write me some music about Daybreak in Alabama