I have always looked for ways to work in the present, to have a real physical relationship to my material.
Photographic images trace the relation between the person behind the camera and the person in front of it.
The hobbyist is the center or probably more accurately the source of everything for me.
The paintings in this room are virtuosic, formal and reverent, everything that my world is not.
Deep time is like deep water. It’s hard to stay in deep time: you are always brought back to the surface.
In much of my work there is a theme of the unspeakable or the unsayable.
Cameras are also devices for transforming appearances.